Download PDF , by Clifford Thurlow
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, by Clifford Thurlow
Download PDF , by Clifford Thurlow
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Product details
File Size: 939 KB
Print Length: 252 pages
Page Numbers Source ISBN: 1491038209
Publisher: YellowBay.co.uk; 2 edition (August 16, 2011)
Publication Date: August 16, 2011
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B005HRYCWI
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#58,503 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
This is a remarkable and tremendously vibrant biography of the surrealist Salvador Dali seen through the eyes of his muse/lover/model Carlos Lozano - a one-time dancer in the musical Hair, actor, gallerista and lifetime friend and companion of one of the greatest artists and personalities of the 20th century.Dali said if you have 100 ideas and only get to realise ten, it is nine more than the person who has only one. To this end, Dali worked frenetically painting, sculpting, designing and, like the keenest FaceBook digital networkers of today, he knew how to promote himself, an innate skill practised long before the Mad Men of Madison Avenue.For example: on the eve of World War Two with Hitler marching into Poland and Mussolini seizing Abyssinia, Dali had his first major exhibition in New York. He had decorated a window for the departmental store Bonwit Teller with a naked mannequin in a tin bath with a bull's head above dripping blood into the water. Assistants at the store "tidied up" the lewd display and, when Dali saw it, with maniacal strength, he upset the bath, smashed the window and walked through the shattering glass into the crowds on Fifth Avenue screaming in Latin. Arrested by the cops, it took all the skills of revolutionary gallery owner Julian Levy to prevent him being charged. The press cameras waiting outside the police station captured the moment Dali was released and, next morning, the New York Times had, along with the war stories, a column on Page 1 with the key sentence announcing the opening of Dali's show. That night, there were lines around the block and the show was a sell-out, naturally.This and a hundreds of stories and anecdotes are woven through the life of Dali in the magical years of the 1960s and 1970s, with Carlos giving us glimpses of his own extraordinary journey from the humble barrios of Baranquilla, Columbia, to San Francisco, where he danced with the Living Theater, and to Paris and the Court of the Divine.The book is written in a unique style, a cross between the surrealist mood of Dali and the magic-realism of Latin American Carlos, the combination creating a narrative that has the page-turning effect of a great novel. If you have the smallest interest in Salvador Dali and the art movements of the 20th century, this is essential reading.
I remember the first time I saw a Salvador Dali painting. On a holiday to London years ago, I visited the Tate Gallery and for several minutes remained transfixed before an enticing, but definitely peculiar surrealistic painting by a gregarious mustached man whose paintings were as eccentric as he was. This biography made me understand more clearly the man behind the paintings. Let’s face it, you either love Dali’s paintings or hate them, and the same can be said about the artist who didn’t apologize about his life, but who remained defiantly on the fringes of genteel society. This biography takes place in the latter years of his life. Dali is still with his wife/muse Gala (the subject of many of his paintings), but Dali is clearly enthralled by young, effeminate/androgynous youths, but literally keeps them at arm’s length. This biography is about him and one of these youths, the Colombian dancer Carlos Lozano, who seemed as mesmerized by Dali and his flamboyant lifestyle as Dali. Carlos is quickly sucked into the undertow of Dali’s fame and perversions and becomes as great an influence on Dali, as Dali was on him. While neither mans’ lifestyle and desires were ones I would choose, all the drama and hoopla surrounding the man is fascinating indeed. I will never be able to look at a Dali painting the same. For any admirer of Dali or even those curious about the man and the myth—this is a well-written, thought-provoking, must read.
Sex, Surrealism, Dalà and Me offers a fascinating insight into the mind and world of a singular genius who is talented, eccentric, egocentric, megalomaniacal . . . and, like his artwork, deliberately defies efforts to define. Told through the memories of Carlos Lozano, a model and dancer whose own life was unusual and extraordinary, the book covers DalÃ’s later years, during which his health and creativity declined, but not his eccentricities. Dalà and Lozano offer wide-ranging comments that are simultaneously astute, acerbic and absurd. Like DalÃ, the book is insightful, outrageous and provocative, or as Dalà himself would have put it: DalÃnian.
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